Our second dispatch from this year’s Toronto International Film Festival features takes on some of the festival’s hottest tickets: LAST NIGHT IN SOHO, BELFAST and THE POWER OF THE DOG.
Author: Tomas Trussow
TIFF 2021 Report #1
This first dispatch from this year’s Toronto International Film Festival includes reviews of MEMORIA, DRIVE MY CAR, COMPARTMENT NO. 6 and EARWIG.
TIFF 2020 Dispatch
This dispatch from the virtual edition of this year’s Toronto International Film Festival includes reviews of SHIVA BABY, NIGHT OF THE KINGS, NO ORDINARY MAN and NOMADLAND.
Predicting the 92nd Academy Awards: The Nominations
Best Picture Choi Woo-shik, Song Kang-ho, Chang Hyae-jin & Park So-dam in PARASITE — courtesy of Neon LOCKS: 1917; The Irishman; Joker; Marriage Story; Once upon a Time in Hollywood; Parasite. LIKELY: Ford v Ferrari; Jojo Rabbit; Little […]
Downton Abbey (Engler, 2019)
When Downton Abbey ended its television run in 2015, there was no question it would return in some capacity. It was not a question of “if”—it was a question of “when.” Now fans have their chance to […]
Judy (Goold, 2019)
I find it difficult to be too hard on a film that is so irrevocably buoyed by its lead performance, and such is the case with Judy, a film which wouldn’t have passed muster without its […]
Brittany Runs a Marathon (Colaizzo, 2019)
As someone who is plus-sized in the way Brittany (Jillian Bell) is, I do appreciate a film like this coming along and contending with the inherent messiness of body positivity, particularly the idea of being […]
TIFF Review: Joker (Phillips, 2019)
I was not originally planning to see Joker during the festival, but when it won the Golden Lion in Venice, I was curious. No doubt many other critics were, too. And so it was that […]
TIFF Review: Portrait of a Lady on Fire (Sciamma, 2019)
It’s 2019 and a new lesbian romance has set hearts alight—and cooled many others. Quite reminiscent of the critical discourse that surrounded Todd Haynes’ Carol in 2015, Céline Sciamma’s Portrait of a Lady on Fire has evoked […]
TIFF Review: Bacurau (Mendonça Filho & Dornelles, 2019)
Kleber Mendonça Filho is one of the most exciting filmmakers working today—and Bacurau is only his third feature. Despite his minimal output thus far, I do believe I’m right in saying so. His debut, Neighboring Sounds, is […]
TIFF Review: Waves (Shults, 2019)
I can understand Waves at a conceptual level, but try as I might, I can’t take to its concrete, finished form. Beyond the audaciousness of slamming us right into the high-maintenance world of high school wrestler […]
TIFF Review: The Whistlers (Porumboiu, 2019)
I would not call The Whistlers one of the best entries in the emerging Romanian New Wave canon, though that doesn’t take away from what Corneliu Porumboiu does well. His darkly acerbic humour migrates from his […]
TIFF Review: Zombi Child (Bonello, 2019)
I would not expect Bertrand Bonello to do anything less than what he does with Zombi Child, his first feature since the polarizing Nocturama—and, on the face of it, a much less ambitious project in […]
TIFF Review: Synonyms (Lapid, 2019)
Bleak and oblique, Nadiv Lapid’s Synonyms trains us on the most curious of subjects: an attractive man in a mustard overcoat who wanders the streets of Paris muttering an incantation of random words. Some he obsessively […]
TIFF Review: Workforce (Zonana, 2019)
There have been a few tweets comparing Workforce to Bong Joon-ho’s Parasite, and they’re not wrong. No, it’s not the high-octane barnburner that Bong’s film is, nor does it juggle as many tonal contours. David Zonana’s […]
