The third writeup of this year’s Toronto International Film Festival includes reviews of SPENCER, THE TSUGUA DIARIES and TITANE.
Our second dispatch from this year’s Toronto International Film Festival features takes on some of the festival’s hottest tickets: LAST NIGHT IN SOHO, BELFAST and THE POWER OF THE DOG.
This first dispatch from this year’s Toronto International Film Festival includes reviews of MEMORIA, DRIVE MY CAR, COMPARTMENT NO. 6 and EARWIG.
This dispatch from the virtual edition of this year’s Toronto International Film Festival includes reviews of SHIVA BABY, NIGHT OF THE KINGS, NO ORDINARY MAN and NOMADLAND.
I was not originally planning to see Joker during the festival, but when it won the Golden Lion in Venice, I was curious. No doubt many other critics were, too. And so it was that […]
It’s 2019 and a new lesbian romance has set hearts alight—and cooled many others. Quite reminiscent of the critical discourse that surrounded Todd Haynes’ Carol in 2015, Céline Sciamma’s Portrait of a Lady on Fire has evoked […]
Kleber Mendonça Filho is one of the most exciting filmmakers working today—and Bacurau is only his third feature. Despite his minimal output thus far, I do believe I’m right in saying so. His debut, Neighboring Sounds, is […]
I can understand Waves at a conceptual level, but try as I might, I can’t take to its concrete, finished form. Beyond the audaciousness of slamming us right into the high-maintenance world of high school wrestler […]
I would not call The Whistlers one of the best entries in the emerging Romanian New Wave canon, though that doesn’t take away from what Corneliu Porumboiu does well. His darkly acerbic humour migrates from his […]
I would not expect Bertrand Bonello to do anything less than what he does with Zombi Child, his first feature since the polarizing Nocturama—and, on the face of it, a much less ambitious project in […]
Bleak and oblique, Nadiv Lapid’s Synonyms trains us on the most curious of subjects: an attractive man in a mustard overcoat who wanders the streets of Paris muttering an incantation of random words. Some he obsessively […]
There have been a few tweets comparing Workforce to Bong Joon-ho’s Parasite, and they’re not wrong. No, it’s not the high-octane barnburner that Bong’s film is, nor does it juggle as many tonal contours. David Zonana’s […]
Dickens enthusiasts can breathe a sigh of relief: Armando Iannucci has not turned their beloved novel into an R-rated barrage of f-bombs, a trait which has so defined his filmmaking career that one of the […]
The premise here is certainly promising: a dangerous synthetic drug that takes lives in an unusual way, altering users’ biological makeup so much that they literally fall back in time and die at the hands […]
I do not know exactly why the main character in Kiyoshi Kurosawa’s To the Ends of the Earth sings the Japanese version of Édith Piaf’s “L’hymne à l’amour” not once, but twice, though I can venture […]