In this new weekly series, The Lonely Film Critic highlights an older release of interest, whether it be an oft-overlooked gem or a classic worth revisiting. This week we unearth a startling mix of crime and horror from the Swinging Sixties, fronted by a memorable Oscar-nominated performance.
In this new weekly series, The Lonely Film Critic highlights an older release of interest, whether it be an oft-overlooked gem or a classic worth revisiting. This week, to commemorate the Easter-Passover holiday, we check out the lesser-known Biblical adaptation Moses and Aaron from French directing duo Straub-Huillet.
I don’t want to write too much about Hotel Mumbai because I got my fill of it in the theatre and thinking about it after the fact is like a PTSD trigger. On one hand, one can […]
In this new weekly series, The Lonely Film Critic highlights an older release of interest, whether it be an oft-overlooked gem or a classic worth revisiting. This week, our inaugural film is Irving Lerner’s jaunty existentialist noir Murder by Contract.
Last year Janelle Monáe released a conceptual “emotion picture” to act as a thematic and visual supplement to her third studio album Dirty Computer. Now Donald Glover (aka Childish Gambino) is taking a similar approach with Guava […]
Following on the heels of LGBTQ+ coming-of-age stories like Love, Simon from last year, Giant Little Ones is another film that highlights the struggles queer teenagers face in toxic environments like high school, where latent homophobia and bullying make […]
These Disney live-action remakes are threatening to create more cynics than converts, as we haven’t yet seen one that can stand on its own and make a case for itself. Worse yet, 2019 is going […]
I have a dim recollection of The Intouchables, the original film on which The Upside is based. I remember liking it for being both heartwarming and funny, but after many years and several hundreds of films later, I […]
Sorry Spielbergers. I’m not sure I’m the audience for this kind of stuff. I do admire the thoroughness of the VFX work and how wonderfully the different avatars are rendered, and the whole sequence inside The […]
Oh, reader, I am tired. Awards seasons are always draining, but this one has taken the cake. Most of the blame has to go to the Academy’s board and the producers of Sunday’s show for […]
There is a lot going on in Ralph Breaks the Internet outside of its family-friendly messaging about learning to let go of your insecurities and, by extension, the people you’re close to when it’s time for them to move […]
Detainment (Lambe, 2018) Good Lord, how am I supposed to review this thing? Tasteless as it is aesthetically, it also seems callous to force people to relive a national tragedy as the Jamie Bulger killing […]
It’s hard for some films to live up to hype. They’re talked up so much and made to seem like the greatest thing, and then when you get around to watching them, they can’t live […]
This is quite the mish-mash. A heaping of Scandinavian folklore here, a sprinkle of gritty police procedural there. It ping-pongs between the two genres with intriguing results. Its feet are firmly planted in reality, but […]
I spent a good portion of Free Solo loudly swearing at my walls. Not a heights guy, I’m afraid. Watching someone scale a rock formation without a rope or harness is the kind of cinematic event I […]
The Lonely Film Critic 