Tagged 1950s

Weekly Spotlight #1: Murder by Contract (Lerner, 1958)

In this new weekly series, The Lonely Film Critic highlights an older release of interest, whether it be an oft-overlooked gem or a classic worth revisiting. This week, our inaugural film is Irving Lerner’s jaunty existentialist noir Murder by Contract.

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Kiss Me Deadly (Aldrich, 1955)

One thing’s for sure: I’ve never watched a noir quite like Kiss Me Deadly before. From the moment it begins, with Cloris Leachman breathlessly running on that deserted road, it never lets up on its relentless assault on our senses.

Pickpocket (Bresson, 1959)

Pickpocket is my first Bresson (and I’m certainly not alone in that camp), and though the sheer austerity of his style takes a bit of getting used to, in the end I understand why so many historians deeply admire it—if not love it outright.

Hiroshima Mon Amour (Resnais, 1959)

Traumas and memories coalesce in Alain Resnais’ debut, Hiroshima Mon Amour. Though it primarily follows the brief romance between a French actress and a Japanese architect, which is nourished by long, stark conversations, the film is also fundamentally about the aftermath of human destruction.