Tagged 1964

Weekly Spotlight #3: Séance on a Wet Afternoon (Forbes, 1964)

In this new weekly series, The Lonely Film Critic highlights an older release of interest, whether it be an oft-overlooked gem or a classic worth revisiting. This week we unearth a startling mix of crime and horror from the Swinging Sixties, fronted by a memorable Oscar-nominated performance.

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Hush… Hush, Sweet Charlotte (Aldrich, 1964)

The film is the very essence of “hag horror”: we’ve got a mentally unstable protagonist (Davis) wasting away in a decaying Louisiana mansion, we’ve got dismemberment, we’ve got gaslighting, we’ve got sassy maids with suspicious minds.