Tagged 1970s

Weekly Spotlight #2: Moses and Aaron (Straub & Huillet, 1975)

In this new weekly series, The Lonely Film Critic highlights an older release of interest, whether it be an oft-overlooked gem or a classic worth revisiting. This week, to commemorate the Easter-Passover holiday, we check out the lesser-known Biblical adaptation Moses and Aaron from French directing duo Straub-Huillet.

Eraserhead (Lynch, 1977)

I don’t disagree with people who say there are whiffs of “student art film” about David Lynch’s debut. The surrealist master was still testing the waters with Eraserhead, experimenting with themes and ideas that he would perfect much later in his career.

THX 1138 (Lucas, 1971)

THX 1138 divests itself of context to the point of inner paralysis. Unlike classic dystopian models, it makes no attempt to thread the needle for us, opting instead for an observational approach that feels almost anthropological.