Lucky is one big, warm farewell to Harry Dean Stanton, a man who didn’t hug the spotlight or seek out starring roles, but who made even the smallest parts count. What looks to be his penultimate […]

Lucky is one big, warm farewell to Harry Dean Stanton, a man who didn’t hug the spotlight or seek out starring roles, but who made even the smallest parts count. What looks to be his penultimate […]
I can see why, if the original run of Twin Peaks is your Holy Grail, Fire Walk with Me grinds some people’s gears. In some respects, it’s the complete antithesis of the show: purposely brutal, elliptical, graphic, morose, and very much David Lynch reclaiming his demon child from being further damaged by the cartoonish machinations of the show’s second season.
Like Lynch’s own filmography, The Art Life will be appreciated by many and infuriate countless others.
I don’t disagree with people who say there are whiffs of “student art film” about David Lynch’s debut. The surrealist master was still testing the waters with Eraserhead, experimenting with themes and ideas that he would perfect much later in his career.