What if Guy Maddin remade The Island of Dr. Moreau and it made it super gay? It’d probably be something like Bertrand Mandico’s The Wild Boys, which is an all-out unusual experience. Part coming-of-age narrative, part gay fantasia, […]
Tag: Elina Löwensohn
Let the Corpses Tan (Cattet & Forzani, 2017)
Let the Corpses Tan, the latest from Belgian team Cattet & Forzani, is a deliriously degenerate mash-up of spaghetti western, giallo and poliziotteschi that does more than arrest the eye: it positively holds it captive. […]
The Lonely Film Critic 