Tagged Naomi Watts

Luce (Onah, 2019)

Luce is a film that abounds in absences, the foremost being the absence of our certainties. There are moments where dread circulates simply because intentions cannot be read, thereby thwarting expectations from forming completely. Motivations are left blank slates; line readings are cryptic, suggesting nothing definitive. It really is a film that comes down to your…

The Glass Castle (Cretton, 2017)

This one’s hard to talk about. Not because of the material, which cuts right into you like a knife with jagged edges, but because the way the material is executed is… rough. Like, holy-hell-this-is-making-me-very-uncomfortable-right-now rough.