Sarah Phelps does not hold Agatha Christie as sacrosanct, that much is for certain. Her fourth BBC adaptation of the Queen of Crime is, like the ones before it, a version stripped of the source […]
Sarah Phelps does not hold Agatha Christie as sacrosanct, that much is for certain. Her fourth BBC adaptation of the Queen of Crime is, like the ones before it, a version stripped of the source […]