There have been a few tweets comparing Workforce to Bong Joon-ho’s Parasite, and they’re not wrong. No, it’s not the high-octane barnburner that Bong’s film is, nor does it juggle as many tonal contours. David Zonana’s […]
TIFF Review: The Personal History of David Copperfield (Iannucci, 2019)
Dickens enthusiasts can breathe a sigh of relief: Armando Iannucci has not turned their beloved novel into an R-rated barrage of f-bombs, a trait which has so defined his filmmaking career that one of the […]
TIFF Review: Synchronic (Moorhead & Benson, 2019)
The premise here is certainly promising: a dangerous synthetic drug that takes lives in an unusual way, altering users’ biological makeup so much that they literally fall back in time and die at the hands […]
TIFF Review: To the Ends of the Earth (Kurosawa, 2019)
I do not know exactly why the main character in Kiyoshi Kurosawa’s To the Ends of the Earth sings the Japanese version of Édith Piaf’s “L’hymne à l’amour” not once, but twice, though I can venture […]
TIFF Review: Proxima (Winocour, 2019)
In a sea of space-related stories being released this year, Proxima stands solemnly alone, more content to dramatize the internal turmoil of the preparation process than carve an insurmountable hole in its budget for a […]
TIFF Review: Martin Eden (Marcello, 2019)
The newly-minted Platform Prize winner out of TIFF (which comes with a cool $20,000 payday) is Pietro Marcello’s stylish adaptation of Jack London’s 1909 novel Martin Eden, a work that has fallen into relative obscurity […]
TIFF Review: I Am Woman (Moon, 2019)
Helen Reddy is no longer a household name for the current generation, but for baby boomers in the 1970s she was a feminist icon after her hit single “I Am Woman” was co-opted by the […]
TIFF Review: About Endlessness (Andersson, 2019)
The uniquely absurd and painterly vision of Roy Andersson is unlike any other in contemporary cinema, so it is always an event when the director brings out a new work to share with neophytes and […]
TIFF Review: Sibyl (Triet, 2019)
The sibyls of Ancient Greece foretold prophesies and supposedly had intimate connections with the deities, with most of those deities hailing from the underworld. Justine Triet’s protagonist Sibyl could be seen in similar terms. She […]
TIFF Review: Jordan River Anderson, the Messenger (Obomsawin, 2019)
A spiritual sequel of sorts to her 2016 documentary We Can’t Make the Same Mistake Twice, celebrated First Nations filmmaker Alanis Obomsawin once again delves into the contested issues of healthcare and welfare pertaining to […]
TIFF Review: The Truth (Kore-eda, 2019)
Hirokazu Kore-eda broke his long tradition of attending TIFF premieres last year for Shoplifters because he was busy preparing The Truth—his first film made and set outside of Japan, with an international cast that includes screen titans […]
TIFF Review: Ordinary Love (Barros D’Sa & Leyburn, 2019)
The original title of the Owen-McCafferty penned Ordinary Love was Normal People, but because a Sally Rooney novel utilized the same title last year, it had to be changed. Nevertheless, the kernel of McCafferty’s truth can […]
TIFF Review: Atlantics (Diop, 2019)
After being denied pay again at his construction job, Suleiman (Ibrahima Traoré) hears the ocean calling to him as he and his coworkers make their way home. Mati Diop floods the speakers with a siren-like […]
TIFF Review: A Hidden Life (Malick, 2019)
When there is evil before our eyes, it is astonishing to witness firsthand how some people either ignore it or twist it into something beneficial to themselves. A character in Terrence Malick’s latest epic asks […]
TIFF Review: The Lighthouse (Eggers, 2019)
Robert Eggers delivered a memorable frightfest when he debuted The Witch in 2015, introducing Black Phillip into our collective consciousness. His follow-up is another period horror film, sans demonic goats this time around, but one […]
The Lonely Film Critic 