Tagged 2019

Guava Island (Murai, 2019)

Last year Janelle Monáe released a conceptual “emotion picture” to act as a thematic and visual supplement to her third studio album Dirty Computer. Now Donald Glover (aka Childish Gambino) is taking a similar approach with Guava Island, an hour-long film directed by frequent collaborator Hiro Murai that gives us a cogent tour of his musical career…

Dumbo (Burton, 2019)

These Disney live-action remakes are threatening to create more cynics than converts, as we haven’t yet seen one that can stand on its own and make a case for itself. Worse yet, 2019 is going to be inundated with them, and there’s no telling if any will succeed in having artistic merit. Tim Burton’s take…

High Flying Bird (Soderbergh, 2019)

Steven Soderbergh’s iPhone rush is not over. With Unsane, he made it possible to make an effective thriller with minimal fuss, and now with High Flying Bird, he’s clamped down on his values and refuses to budge an inch. This is, in a way, his revenge against the system that once pushed him aside. This is his Moneyball and,…

Velvet Buzzsaw (Gilroy, 2019)

If Velvet Buzzsaw was going for incisive critique of the art world’s myriad frivolities, it doesn’t work well. The best it can do is to emulate the kind of dead air that’s generated by those who equate premium connoisseurship with maximum pretension. And even then it can only go so far without looking incompetently cartoonish—and oftentimes it…