Another year, another Vincent van Gogh film. Hot on the heels of last year’s Loving Vincent (a film animated in the style of van Gogh’s paintings), At Eternity’s Gate looks at the final years of the artist’s short life, when he moved to the small villages of Arles and Auvers sur-Oise to paint the natural landscapes. It was in…
For the most part, Maudie succeeds in shedding light on Lewis’ tenacity, artistic vision, luminosity and endurance. Who would have known that behind the gentle, smiling face and diminutive frame lay years of pain and struggle?
This one’s hard to talk about. Not because of the material, which cuts right into you like a knife with jagged edges, but because the way the material is executed is… rough. Like, holy-hell-this-is-making-me-very-uncomfortable-right-now rough.
When I saw Stronger’s trailer, I’ll admit I was somewhat wary. I’m not here for patriotic faffing if nothing intelligent is going to come of it. So colour me surprised when the reviews started pouring in, and most of them were quite positive.
Yikes. Any film that ends with an Indian subject kissing the bust of Queen Victoria is bound to get into trouble, and Victoria & Abdul deserves it, I’m sorry to say.
I was prepared for the worst. A few groans and a migraine, maybe. Instead, I actually thought it was rather… fun?