Our second dispatch from this year’s Toronto International Film Festival features takes on some of the festival’s hottest tickets: LAST NIGHT IN SOHO, BELFAST and THE POWER OF THE DOG.
Tag: Edgar Wright
Baby Driver (Wright, 2017)
Edgar Wright’s innate savviness is on full display here, especially during the first half: the diegetic sound squarely in Baby’s ears being grafted into the minutiae of the real world, the songs seamlessly orchestrating the sheer joie de vivre of adrenaline rushes and high octane pedal-to-the-metalling.
The Lonely Film Critic 