Sarah Phelps does not hold Agatha Christie as sacrosanct, that much is for certain. Her fourth BBC adaptation of the Queen of Crime is, like the ones before it, a version stripped of the source […]
Sarah Phelps does not hold Agatha Christie as sacrosanct, that much is for certain. Her fourth BBC adaptation of the Queen of Crime is, like the ones before it, a version stripped of the source […]
An interesting one. I really admired the visual effects, which made the second half suitably cinematic. There’s a good amount of buildup to the disaster, so that it rains down on you as it did on that fateful day.