Robert Eggers delivered a memorable frightfest when he debuted The Witch in 2015, introducing Black Phillip into our collective consciousness. His follow-up is another period horror film, sans demonic goats this time around, but one […]
Good Time is gobsmackingly good. Thrillingly so. I’m in awe of what the Safdies achieve here, which is neo-noir (neon-noir?) and social realism mulched into a decayed panic attack.
James Gray is a director you can count on to give you just the right amount of beauty and substance. It’s always a pleasure to watch one of his films, because the compositions are always so on-point, the technique so crisp and luminescent, and the storytelling packed with emotional beats and refined characterisation.