Tagged Zawe Ashton

Velvet Buzzsaw (Gilroy, 2019)

If Velvet Buzzsaw was going for incisive critique of the art world’s myriad frivolities, it doesn’t work well. The best it can do is to emulate the kind of dead air that’s generated by those who equate premium connoisseurship with maximum pretension. And even then it can only go so far without looking incompetently cartoonish—and oftentimes it…