I’m afraid I have to agree with the consensus here: A Wrinkle in Time isn’t very good. Mostly because it’s a mature film trapped in a Disneyfied body, needing to take flight but barely getting off the ground because its wings have been clipped. I could feel Ava DuVernay wanted to do more with the story and…
I’ve made it clear in other reviews that I’m no Marvel fanatic, and that their cookie-cutter approach to plot and characterization has becoming maddeningly repetitive with each new entry. It’s so nice, then, to watch a Marvel film that isn’t beholden to the same recycled and over-CGIed mindset. It’s so nice to see a Marvel…
Whoever came up with this premise deserves a raise and more chances to pitch ideas, because I found this film refreshingly original. A breath of fresh air with some gassy odours mixed in, so to speak.
Weerasethakul’s modus operandi seems to require being as oblique as possible, but here I did not mind it so much. If nothing in the diegetic world makes sense to the characters, then I don’t expect the audience to be blessed with revelation.
Remaking what is arguably one of the best animated films ever made is inevitably going to result in backlash, because why have an inferior facsimile when you can cherish the real thing?
The Lure is part-fairy tale, part-Bildungsroman, part-trippy rock opera, and a whole lotta ‘80s glitz and glam wrapped into one twisted, salacious treat. Except, it’s an incredibly messy one, so the experience is not as exceptional as I’ve made it sound.
Like many franchises, Pirates of the Caribbean should have walked the plank after its third entry—and even then, it had already overstayed its welcome.
Damn. I’m normally a fan of Spike Jonze and Charlie Kaufman, but their first feature reeks of amateur hour all around.