The myth of The Other Side of the Wind has outgrown the film itself, to the point where you have to keep reminding yourself that it now exists for our consumption. Welles scholars have pored over this work with unrelenting zeal, unearthing reason after reason for why he never managed to complete it, and why no one…
If you’re not here for Capaldi, then there’s still a ton to like about In the Loop Fans of Veep will especially adore seeing Armando Iannucci in his element (the first season of Veep aired three years after this film), while those who admire political satires in general will greedily eat up what this one has to serve.
Jordan Peele has crafted a fantastic send-up of some of pop culture’s most famous horror stories (Ira Levin’s, in particular), mixing it together with a screamingly good social satire that skewers those fluffy white, bourgeois liberals who, gosh darn, try so hard to prove they’re not racist, and in the process show that, yeah, they really are (even if unintentionally).
Matt Spicer’s Ingrid Goes West juggles a boatload of contemporary issues, whether it be the influx of social media influencers who take pictures of trendy foods, furniture and art as their primary source of income, or people living “auxiliary” lives who crave the world’s approval.
A compact 82 minutes, Beatriz at Dinner gallops to its finish line while managing to take you on a rollercoaster ride filled with awkwardness, phony niceties, and the meeting of two polar opposites.
Nicole Kidman has gone from strength to strength in recent years, and 2017 has been especially stellar, what with an Emmy win for Big Little Lies and standout performances in The Beguiled and The Killing of a Sacred Deer. Watching Gus Van Sant’s To Die For, it’s easy to see why she’s gained such a cult following.
I try to find a nice thing to say about every film I watch. But I cannot for the life of me think of anything that I liked about Suburbicon.