I have read criticisms of Joanna Hogg’s formal austerity, particularly as it pertains to audience connection. What good is it, they say, if the film purposely frustrates our ability to unlock these characters and their […]
Tag: 2010s
The Beach Bum (Korine, 2019)
When you hear the call of Harmony Korine, you are likely to either turn away or heed it. I can understand why some impulsively have no interest in him, especially considering the uncompromising oddness of […]
Once Upon a Time in… Hollywood (Tarantino, 2019)
Please note that this review includes spoilers about the film’s conclusion. Fairy tales are the spaces in which our childhoods dream. Their worlds are enormous in their specificity, for the greater the specificity, the greater […]
Apollo 11 (Miller, 2019)
It’s so gratifying to go into a documentary and not have to be talked at for two hours. For those that feel differently, there are many other films you can watch about the Apollo 11 […]
Knife+Heart (Gonzalez, 2018)
Yann Gonzalez wants the giallo to make a modern comeback, and honestly? I’m here for it. Knife+Heart revels in all the genre’s sleazy elements, including the impressionistic uses of vivid colour, ambient soundscapes (courtesy of synthpop band […]
Hotel by the River (Hong, 2018)
Hong Sang-soo continues to go from strength to strength as a filmmaker, with his latest offering, Hotel by the River, landing as one of his strongest achievements to date. It sees him testing the limits of […]
Murder Mystery (Newacheck, 2019)
I’ve gobbled up my fair share of mystery novels when I was growing up. I still do, on occasion. I even took a class on detective novels in university because I thought it’d be fun. […]
Rocketman (Fletcher, 2019)
I’ll give Rocketman this much: it is a more credible endeavour than its closest antecedent, Bohemian Rhapsody. On the aesthetic front, Rocketman is not as visually shoddy or bogged down by competing artistic visions. Dexter Fletcher had a clear concept […]
Aladdin (Ritchie, 2019)
It is quite the relief when a movie that has been beleaguered with terrible promotion turns out to be better than expected. And let me tell you, Guy Ritchie’s Aladdin instilled no confidence before its release date. […]
Greta (Jordan, 2018)
Grande Dame Guignol lives on! Maybe not with the same panache as the films from the ‘60s, or the same level of insanity, but a film like Greta is worth it for the camp spectacle alone. Here […]
Booksmart (Wilde, 2019)
Social media has been abuzz with debates about Olivia Wilde’s debut, from its marketing campaign to its struggle to make gains at the box office to questions about its diversity (or lack thereof). I want […]
Black Mother (Allah, 2018)
Black Mother is filmmaker and photographer Khalik Allah’s benediction to his homeland of Jamaica. In his polyphonic and contrapuntal vision, it is a place of many faces and attitudes, with eyes that see the road ahead […]
Poms (Hayes, 2019)
Anyone who watches Poms will manage to crack a smile a few times, even if they recognize internally that they’re smiling at shtick that isn’t particularly intelligent. It’s humour that’s meant to be broad and instantly digestible, […]
Hotel Mumbai (Maras, 2018)
I don’t want to write too much about Hotel Mumbai because I got my fill of it in the theatre and thinking about it after the fact is like a PTSD trigger. On one hand, one can […]
Guava Island (Murai, 2019)
Last year Janelle Monáe released a conceptual “emotion picture” to act as a thematic and visual supplement to her third studio album Dirty Computer. Now Donald Glover (aka Childish Gambino) is taking a similar approach with Guava […]
The Lonely Film Critic 